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<p class='description'><span>A weblog focused on contemporary poetry and poetics.</span></p>
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Showing posts with label <b>Lewis Warsh</b>. <a href="https://writing.upenn.edu/epc/mirrors/ronsilliman.blogspot.com/">Show all posts</a>
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<div class='status-msg-hidden'>Showing posts with label <b>Lewis Warsh</b>. <a href="https://writing.upenn.edu/epc/mirrors/ronsilliman.blogspot.com/">Show all posts</a></div>
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<h2 class='date-header'><span>Monday, October 08, 2012</span></h2>

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<p class=MsoPlainText align=center style='margin-bottom:10.0pt;text-align:center'><iframe width="640" height="360" src="//www.youtube.com/embed/vlORbqkeAb0" frameborder="0" allowfullscreen></iframe></p><p class=MsoNormal align=center style='text-align:center;line-height:200%'><span style='font-size:12.0pt;line-height:200%;font-family:"Arial","sans-serif"; color:#0D0D0D;mso-themecolor:text1;mso-themetint:242;mso-style-textfill-fill-color: #0D0D0D;mso-style-textfill-fill-themecolor:text1;mso-style-textfill-fill-alpha: 100.0%;mso-style-textfill-fill-colortransforms:"lumm=95000 lumo=5000"'><a href="http://mimeomimeo.blogspot.com/"><span style='color:#0D0D0D;mso-themecolor: text1;mso-themetint:242;mso-style-textfill-fill-color:#0D0D0D;mso-style-textfill-fill-themecolor: text1;mso-style-textfill-fill-alpha:100.0%;mso-style-textfill-fill-colortransforms: "lumm=95000 lumo=5000"'>Lewis</span></a> <a href="http://www.lewiswarsh.com/"><span style='color:#0D0D0D;mso-themecolor:text1;mso-themetint:242;mso-style-textfill-fill-color: #0D0D0D;mso-style-textfill-fill-themecolor:text1;mso-style-textfill-fill-alpha: 100.0%;mso-style-textfill-fill-colortransforms:"lumm=95000 lumo=5000"'>Warsh</span></a><br />
reading at <a href="http://www.openpoetrybooks.com/"><span style='color:#0D0D0D; mso-themecolor:text1;mso-themetint:242;mso-style-textfill-fill-color:#0D0D0D; mso-style-textfill-fill-themecolor:text1;mso-style-textfill-fill-alpha:100.0%; mso-style-textfill-fill-colortransforms:"lumm=95000 lumo=5000"'>Open Books</span></a></span><span style='font-size:12.0pt;line-height:200%;font-family:"Arial","sans-serif"; color:#262626;mso-themecolor:text1;mso-themetint:217;mso-style-textfill-fill-color: #262626;mso-style-textfill-fill-themecolor:text1;mso-style-textfill-fill-alpha: 100.0%;mso-style-textfill-fill-colortransforms:"lumm=85000 lumo=15000"'><br />
Seattle, November 2010<br />
</span><i style='mso-bidi-font-style:normal'><span style='font-size:8.0pt; line-height:200%;font-family:"Arial","sans-serif";color:#262626;mso-themecolor: text1;mso-themetint:217;mso-style-textfill-fill-color:#262626;mso-style-textfill-fill-themecolor: text1;mso-style-textfill-fill-alpha:100.0%;mso-style-textfill-fill-colortransforms: "lumm=85000 lumo=15000"'>Part 2 below</span></i><span style='font-size:12.0pt; line-height:200%;font-family:"Arial","sans-serif";color:#262626;mso-themecolor: text1;mso-themetint:217;mso-style-textfill-fill-color:#262626;mso-style-textfill-fill-themecolor: text1;mso-style-textfill-fill-alpha:100.0%;mso-style-textfill-fill-colortransforms: "lumm=85000 lumo=15000"'><br style='mso-special-character:line-break'> <!--[if !supportLineBreakNewLine]--><br style='mso-special-character:line-break'> <!--[endif]--><i style='mso-bidi-font-style:normal'><o:p></o:p></i></span></p><p class=MsoPlainText align=center style='margin-bottom:10.0pt;text-align:center'><iframe width="640" height="360" src="//www.youtube.com/embed/jrm2OL9d5v8" frameborder="0" allowfullscreen></iframe></p>
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<h2 class='date-header'><span>Sunday, July 08, 2012</span></h2>

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  <p class=MsoNormal align=center style='text-align:center;line-height:150%'><span style='font-size:12.0pt;line-height:150%;font-family:"Arial","sans-serif"; color:#0D0D0D;mso-themecolor:text1;mso-themetint:242;mso-style-textfill-fill-color: #0D0D0D;mso-style-textfill-fill-themecolor:text1;mso-style-textfill-fill-alpha: 100.0%;mso-style-textfill-fill-colortransforms:"lumm=95000 lumo=5000"'><a href="http://epc.buffalo.edu/authors/mayer/"><span style='color:#0D0D0D; mso-themecolor:text1;mso-themetint:242;mso-style-textfill-fill-color:#0D0D0D; mso-style-textfill-fill-themecolor:text1;mso-style-textfill-fill-alpha:100.0%; mso-style-textfill-fill-colortransforms:"lumm=95000 lumo=5000"'>Bernadette</span></a> <a href="http://www.poetryfoundation.org/bio/bernadette-mayer"><span style='color:#0D0D0D;mso-themecolor:text1;mso-themetint:242;mso-style-textfill-fill-color: #0D0D0D;mso-style-textfill-fill-themecolor:text1;mso-style-textfill-fill-alpha: 100.0%;mso-style-textfill-fill-colortransforms:"lumm=95000 lumo=5000"'>Mayer</span></a> &amp; <a href="en.wikipedia.org/wiki/Lewis_Warsh"><span style='color:#0D0D0D; mso-themecolor:text1;mso-themetint:242;mso-style-textfill-fill-color:#0D0D0D; mso-style-textfill-fill-themecolor:text1;mso-style-textfill-fill-alpha:100.0%; mso-style-textfill-fill-colortransforms:"lumm=95000 lumo=5000"'>Lewis</span></a> <a href="http://www.lewiswarsh.com/content/view/15/40/"><span class=SpellE><span style='color:#0D0D0D;mso-themecolor:text1;mso-themetint:242;mso-style-textfill-fill-color: #0D0D0D;mso-style-textfill-fill-themecolor:text1;mso-style-textfill-fill-alpha: 100.0%;mso-style-textfill-fill-colortransforms:"lumm=95000 lumo=5000"'>Warsh</span></span></a><br> on Public Access Poetry<br> April 26, 1978<o:p></o:p></span></p>  <p class=MsoNormal align=center style='text-align:center;line-height:150%'><i style='mso-bidi-font-style:normal'><span style='font-size:8.0pt;line-height: 150%;font-family:"Arial","sans-serif";color:#0D0D0D;mso-themecolor:text1; mso-themetint:242;mso-style-textfill-fill-color:#0D0D0D;mso-style-textfill-fill-themecolor: text1;mso-style-textfill-fill-alpha:100.0%;mso-style-textfill-fill-colortransforms: "lumm=95000 lumo=5000"'>With thanks to <a href="http://writing.upenn.edu/pennsound/x/PAP.php"><span class=SpellE><span style='color:#0D0D0D;mso-themecolor:text1;mso-themetint:242;mso-style-textfill-fill-color: #0D0D0D;mso-style-textfill-fill-themecolor:text1;mso-style-textfill-fill-alpha: 100.0%;mso-style-textfill-fill-colortransforms:"lumm=95000 lumo=5000"'>PennSound</span></span></a><o:p></o:p></span></i></p>
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<p class=MsoNormal style='margin-bottom:12.0pt'><span style='font-size:10.0pt;font-family:Arial;color:black'>Another </span><st1:place><st1:PlaceName><span style='font-size:10.0pt;font-family:Arial;color:black'>New York</span></st1:PlaceName><span style='font-size:10.0pt;font-family:Arial;color:black'> </span><st1:PlaceType><span style='font-size:10.0pt;font-family:Arial;color:black'>School</span></st1:PlaceType></st1:place><span style='font-size:10.0pt;font-family:Arial;color:black'> poet who would do very well to have a big, well-edited, selected poems from a publisher with good distribution (you listening, Penguin?) is <a href="http://www.brooklyn.liu.edu/depts/English/warsh.htm"><span style='color:black'>Lewis Warsh</span></a>. For four decades now, Warsh has been one of the prime movers of that tradition&#8217;s third generation, alongside David Shapiro, the late Joe Ceravolo, Bernadette Mayer, Anne Waldman &amp; the ghost-in-the-machine that is Larry Fagin &#8211; that&#8217;s a pretty terrific list of poetic talent &#8211; but as central as he has been, as writer &amp; as publisher of <a href="http://tinyurl.com/ysvu55"><span style='color:black'>United Artists</span></a> books &amp; such journals as <i style='mso-bidi-font-style:normal'><a href="http://www.spdbooks.org/Details.asp?BookID=1887123490"><span style='color:black'>Angel Hair</span></a>, </i>Warsh seems never to have been a hustler when it comes to pushing his own wares. There is no page for Warsh at the </span><st1:place><st1:PlaceType><span style='font-size:10.0pt;font-family:Arial;color:black'>Academy</span></st1:PlaceType><span style='font-size:10.0pt;font-family:Arial;color:black'> of </span><st1:PlaceName><span   style='font-size:10.0pt;font-family:Arial;color:black'>American  Poets</span></st1:PlaceName></st1:place><span style='font-size:10.0pt;font-family:Arial;color:black'>, the </span><st1:place><st1:PlaceName><span style='font-size:10.0pt;font-family:Arial;color:black'>Electronic</span></st1:PlaceName><span  style='font-size:10.0pt;font-family:Arial;color:black'> </span><st1:PlaceName><span   style='font-size:10.0pt;font-family:Arial;color:black'>Poetry</span></st1:PlaceName><span   style='font-size:10.0pt;font-family:Arial;color:black'> </span><st1:PlaceType><span   style='font-size:10.0pt;font-family:Arial;color:black'>Center</span></st1:PlaceType></st1:place><span  style='font-size:10.0pt;font-family:Arial;color:black'> or the Modern American Poetry websites, which is really scandalous. The best you can do, besides the link above to his site at &#8220;day job&#8221; </span><st1:place><span style='font-size:10.0pt;font-family:Arial;color:black'>Brooklyn</span></st1:place><span  style='font-size:10.0pt;font-family:Arial;color:black'> campus of </span><st1:place><st1:PlaceName><span style='font-size:10.0pt;font-family:Arial;color:black'>Long  Island</span></st1:PlaceName><span  style='font-size:10.0pt;font-family:Arial;color:black'> </span><st1:PlaceType><span   style='font-size:10.0pt;font-family:Arial;color:black'>University</span></st1:PlaceType></st1:place><span style='font-size:10.0pt;font-family:Arial;color:black'>, is the search engine at <a href="http://tinyurl.com/2w4xux"><span style='color:black'>Small Press Distribution</span></a>, which at least will get you to 11 of his books that can be had there. <o:p></o:p></span></p>

<p class=MsoNormal style='margin-bottom:12.0pt'><span style='font-size:10.0pt;font-family:Arial;color:black'>One book that you won&#8217;t find listed there is <i style='mso-bidi-font-style:normal'>The Flea Market in Kiel, </i>published as a fine art chapbook by The Rest Press, the micropublisher founded by Patrick Masterson &amp; Ryan Murphy. Like a lot of <span class=SpellE>Warsh&#8217;s</span> best work, <i style='mso-bidi-font-style:normal'>Flea Market </i>is quiet, observant, <span class=GramE>meditative</span>. In spite of the allusion in the title to the city on the German Baltic that is known to most Americans, if it is known at all, merely as the root to kielbasa, there is nothing exotic in Warsh&#8217; content, much of which could as easily be set in Kiel, Wisconsin:<o:p></o:p></span></p>

<p class=MsoNormal style='margin-top:0in;margin-right:0in;margin-bottom:12.0pt;margin-left:.5in'><span style='font-size:10.0pt;font-family:Verdana;mso-bidi-font-family:Arial;color:black'>My dental insurance doesn&#8217;t cover my family.<br>
But today I found out I can borrow on my retirement plan. <br>
My heart is still beating, but I don&#8217;t know for whom.<br>
For an encore, I&#8217;ll sing &#8220;Some Enchanted Evening&#8221;<br>
or &#8220;Up on the Roof.&#8221;<o:p></o:p></span></p>

<p class=MsoNormal style='margin-bottom:12.0pt'><span style='font-size:10.0pt;font-family:Arial;color:black'>It&#8217;s remarkable just how much context can be gleaned from these four simple sentences, not the least of which is the tension between the image of family in the first line &amp; the lovelorn tone of the third. <o:p></o:p></span></p>

<p class=MsoNormal style='margin-bottom:12.0pt'><span style='font-size:10.0pt;font-family:Arial;color:black'>Many of <span class=SpellE>Warsh&#8217;s</span> poems apply techniques that may have origins elsewhere, as the one above does the leaps of surrealism. One can imagine poets as diverse as Bill Berkson &amp; Robert Bly using this same four-part exoskeletal structure &amp; coming up with something very different. In the following, I certainly caught the Pound in the first line &amp; heard the irritated tone of Jack Spicer in the last, but it was the ambience of Frank O&#8217;Hara, rising up almost as an echo, that lingered the most:<o:p></o:p></span></p>

<p class=MsoNormal style='margin-top:0in;margin-right:.5in;margin-bottom:12.0pt;margin-left:.75in;text-indent:-.25in'><span style='font-size:10.0pt;font-family:Verdana;mso-bidi-font-family:Arial;color:black'>And then Diana Ross &amp; The Supremes were singing &#8220;Stop! In the Name of <span class=SpellE>Blub</span>&#8221;<o:p></o:p></span></p> 

<p class=MsoNormal style='margin-top:0in;margin-right:.5in;margin-bottom:12.0pt;margin-left:.75in;text-indent:-.25in'><span style='font-size:10.0pt;font-family:Verdana;mso-bidi-font-family:Arial;color:black'>But as I was leaving the theater I realized I could no longer understand the words<o:p></o:p></span></p>

<p class=MsoNormal style='margin-top:0in;margin-right:.5in;margin-bottom:12.0pt;margin-left:.75in;text-indent:-.25in'><span style='font-size:10.0pt;font-family:Verdana;mso-bidi-font-family:Arial;color:black'>Because all of the people in the audience who were singing along<o:p></o:p></span></p>

<p class=MsoNormal style='margin-top:0in;margin-right:.5in;margin-bottom:12.0pt;margin-left:.75in;text-indent:-.25in'><span style='font-size:10.0pt;font-family:Verdana;mso-bidi-font-family:Arial;color:black'>Or possibly we can say it was a faulty sound system<o:p></o:p></span></p>

<p class=MsoNormal style='margin-top:0in;margin-right:.5in;margin-bottom:12.0pt;margin-left:.75in;text-indent:-.25in'><span style='font-size:10.0pt;font-family:Verdana;mso-bidi-font-family:Arial;color:black'>Or more to the point maybe all the words began to blur in my head.<o:p></o:p></span></p>

<p class=MsoNormal style='margin-top:0in;margin-right:.5in;margin-bottom:12.0pt;margin-left:.75in;text-indent:-.25in'><span style='font-size:10.0pt;font-family:Verdana;mso-bidi-font-family:Arial;color:black'>The way people look alike when you see them from a distance<o:p></o:p></span></p>

<p class=MsoNormal style='margin-top:0in;margin-right:.5in;margin-bottom:12.0pt;margin-left:.75in;text-indent:-.25in'><span style='font-size:10.0pt;font-family:Verdana;mso-bidi-font-family:Arial;color:black'>So the words &amp; the sounds never convey the same meaning<o:p></o:p></span></p>

<p class=MsoNormal style='margin-top:0in;margin-right:.5in;margin-bottom:12.0pt;margin-left:.75in;text-indent:-.25in'><span style='font-size:10.0pt;font-family:Verdana;mso-bidi-font-family:Arial;color:black'>Or when I thought they meant something it was really the opposite<o:p></o:p></span></p> 

<p class=MsoNormal style='margin-top:0in;margin-right:.5in;margin-bottom:12.0pt;margin-left:.75in;text-indent:-.25in'><span style='font-size:10.0pt;font-family:Verdana;mso-bidi-font-family:Arial;color:black'>The glitter in Diana Ross&#8217;s hair, for instance, or her dress which consisted<o:p></o:p></span></p>

<p class=MsoNormal style='margin-top:0in;margin-right:.5in;margin-bottom:12.0pt;margin-left:.75in;text-indent:-.25in'><span  style='font-size:10.0pt;font-family:Verdana;mso-bidi-font-family:Arial;color:black'>Of thousands of tiny sequins (blinding, really, as she tottered onto the stage)<o:p></o:p></span></p>

<p class=MsoNormal style='margin-top:0in;margin-right:.5in;margin-bottom:12.0pt;margin-left:.75in;text-indent:-.25in'><span style='font-size:10.0pt;font-family:Verdana;mso-bidi-font-family:Arial;color:black'>Each sequin a tiny mirror reflecting the sun, the stars &amp; the planets<o:p></o:p></span></p>

<p class=MsoNormal style='margin-top:0in;margin-right:.5in;margin-bottom:12.0pt;margin-left:.75in;text-indent:-.25in'><span class=GramE><span style='font-size:10.0pt;font-family:Verdana;mso-bidi-font-family:Arial;color:black'>That make</span></span><span style='font-size:10.0pt;font-family:Verdana;mso-bidi-font-family:Arial;color:black'>  up a galaxy where existence is a bad dream<o:p></o:p></span></p>

<p class=MsoNormal style='margin-top:0in;margin-right:.5in;margin-bottom:12.0pt;margin-left:.75in;text-indent:-.25in'><span style='font-size:10.0pt;font-family:Verdana;mso-bidi-font-family:Arial;color:black'>From which you wake up in a cold sweat, hair matted to the sides of your face<o:p></o:p></span></p>

<p class=MsoNormal style='margin-top:0in;margin-right:.5in;margin-bottom:12.0pt;margin-left:.75in;text-indent:-.25in'><span style='font-size:10.0pt;font-family:Verdana;mso-bidi-font-family:Arial;color:black'>The indentation of your head on the pillow &#8211;<o:p></o:p></span></p>

<p class=MsoNormal style='margin-top:0in;margin-right:.5in;margin-bottom:12.0pt;margin-left:.75in;text-indent:-.25in'><span style='font-size:10.0pt;font-family:Verdana;mso-bidi-font-family:Arial;color:black'>Diana, shut up.<o:p></o:p></span></p>

<p class=MsoNormal style='margin-bottom:12.0pt'><span style='font-size:10.0pt;font-family:Arial;color:black'>Here Warsh uses the additional spacing between lines to permit him to stretch them out without seeming somehow dense as he builds this satire predicated on two different O&#8217;Hara poems, &#8220;The Day Lady  Died&#8221; &amp; &#8220;Lana Turner Has Collapsed!&#8221; His image of Diana Ross as &#8220;tottering&#8221; turns tragedy into farce &#8211; and recalls, as much as the tone of the last line, the way in Spicer characterizes the Beatles as corporatist bubblegum rock in <i style='mso-bidi-font-style:normal'>Book of Magazine Verse. </i><o:p></o:p></span></p> 

<p class=MsoNormal style='margin-bottom:12.0pt'><span style='font-size:10.0pt;font-family:Arial;color:black'>Each section here is built with such care, deliberately aimed at limited effects, but with an overall cumulative impact far more powerful than any of this book&#8217;s individual sections. That seems to be a particularly <span class=SpellE>Warshian</span> virtue. <o:p></o:p></span></p>

<p class=MsoNormal style='margin-bottom:12.0pt'><i style='mso-bidi-font-style:normal'><span style='font-size:10.0pt;font-family:Arial;color:black'>Flea Market </span></i><span style='font-size:10.0pt;font-family:Arial;color:black'>is printed in an edition of 350 copies, exquisitely produced by Masterson with great attention to detail &amp; a clean design. Ryan Murphy, who co-founded A Rest Press with Masterson&#185;, told me that his <span class=SpellE>Ori</span> is the New Apple Press, which does editions of just 75 copies, can only be reliably found at one bookstore &#8211; <a href="http://www.mcnallyrobinsonnyc.com/"><span style='color:black'>McNally Robinson Booksellers</span></a> in </span><st1:State><st1:place><span   style='font-size:10.0pt;font-family:Arial;color:black'>New York</span></st1:place></st1:State><span style='font-size:10.0pt;font-family:Arial;color:black'>&#8217;s </span><st1:place><span  class=SpellE><span style='font-size:10.0pt;font-family:Arial;color:black'>SoHo</span></span></st1:place><span style='font-size:10.0pt;font-family:Arial;color:black'>, a purveyor with an active interest in small and independent presses. Given that we&#8217;re about to embark on our annual Bad Poetry Month, it might be worth your while to check out a store dedicated to something more than the lowest common denominator. Hopefully you will find <i style='mso-bidi-font-style:normal'>The Flea Market in Kiel </i>&amp; give it a good home. <o:p></o:p></span></p>

<p class=MsoNormal style='margin-bottom:12.0pt'><span style='font-size:10.0pt;font-family:Arial;color:black'>.<o:p></o:p></span></p>

<p class=MsoNormal style='margin-bottom:12.0pt'><span style='font-size:8.0pt;font-family:Arial;color:black'>&#185; Making me wonder if the shift from A to <i style='mso-bidi-font-style:normal'>The</i> Rest press is an indication that Murphy&#8217;s no longer directly involved. <o:p></o:p></span></p>
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<h2>Email</h2>
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<li>silliman AT gmail DOT com</li>
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<h2>Silliman Sites</h2>
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<li><a href='http://www.poets.org/poet.php/prmPID/1544'>Academy of American Poets</a></li>
<li><a href='http://epc.buffalo.edu/authors/silliman'>Electronic Poetry Center</a></li>
<li><a href='http://www.facebook.com/ron.silliman'>Facebook</a></li>
<li><a href='http://www.goodreads.com/search/search%3Fsearch_type%3Dbooks%26search%5Bquery%5D%3Dron%2Bsilliman'>GoodReads</a></li>
<li><a href='http://www.english.illinois.edu/maps/poets/s_z/silliman/silliman.htm'>Modern American Poetry</a></li>
<li><a href='http://writing.upenn.edu/pennsound/x/Silliman.php'>PennSound</a></li>
<li><a href='http://www.pcah.us/the-center/grants-awarded/grantees-1998-ron-silliman/'>Pew Fellowships in the Arts</a></li>
<li><a href='http://www.poetryfoundation.org/archive/poet.html?id=6323'>Poetry Foundation</a></li>
<li><a href='http://ronsillimanbibliography.blogspot.com/'>Silliman's Bibliography</a></li>
<li><a href='http://www.spdbooks.org/Search/Default.aspx?AuthorName=Ron+Silliman'>Small Press Distribution</a></li>
<li><a href='http://eclipsearchive.org/projects/TOTTELS/'>Tottel's</a></li>
<li><a href='http://twitter.com/ronsilliman'>Twitter</a></li>
<li><a href='http://www.ubu.com/contemp/silliman/index.html'>Ubuweb</a></li>
<li><a href='https://library.ucsd.edu/speccoll/findingaids/mss0075.html'>UC San Diego Archives</a></li>
<li><a href='http://en.wikipedia.org/wiki/Ron_Silliman'>Wikipedia</a></li>
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<h2 class='title'>Ketjak</h2>
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<a href="http://www.ucpress.edu/books/pages/10742.php">I: The Age of Huts<br /><br /></a>             <a href="http://www.ucpress.edu/books/pages/10742.php"><img src="https://writing.upenn.edu/epc/mirrors/ronsilliman.blogspot.com/images/lh6.googleusercontent.com/proxy/u_VsYLU9NS_tJXOrl6A4RM1Dne7QkuSslpBc0StgKSXXoIDStYoXqSwDo2tuxST00QD3ynVJH4yjAhcEzTWyM0F_RriCRx9yZdyygceY2wm-%3Ds0-d" /></a><br /><br /><br />II: Tjanting<br /><br /><a href="https://www.saltpublishing.com/products/tjanting-9781876857196"><img src="https://writing.upenn.edu/epc/mirrors/ronsilliman.blogspot.com/images/lh4.googleusercontent.com/proxy/efy1lIcVIKeKSdy_WUDIxV8WLN0OJmA3f7enQ2XDwxwt7Bh5ssfQQAkW_o4oG6FqrB1RGf7CX-Rw-VQ4u36RIuwSsCMxWjjHFDP4c7CbW2d_%3Ds0-d" /></a><br /><br /><br /><a href="http://www.uapress.ua.edu/product/Alphabet,1897.aspx">III: The Alphabet<br /><br /></a><a href="http://www.uapress.ua.edu/product/Alphabet,1897.aspx"><img id="ctl00_MainContent_ProductInfo1_ctl00_PrimaryImage_PrimaryImage" onclick="javascript:window.open(&#39;http://www.uapress.ua.edu//images/temp/212-1897-Product_LargeToMediumImage.jpeg&#39;, 1, &#39;resizable=1, width=500, height=700&#39;)" src="https://writing.upenn.edu/epc/mirrors/ronsilliman.blogspot.com/images/lh3.googleusercontent.com/proxy/OnaMjXm2h6XxneM04RgHx1Bkf2Wi9UE3a8c3o0NDvW5wXo7BK3MaM5VP9YfbEIpHYxAstTorwhNW4lhhkNuua5bDX7Ogr2UgZ1NMDDjeh-0bNnuo-WH-9pGHIR6lv-4-_UDHVNe36xB6%3Ds0-d" style="border: 1px solid Gray;" /></a><br /><div><br /></div><div>IV. from Universe</div><div><br /></div><div><br /></div><div><br /></div><div><br /></div>
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<h2 class='title'>Other Books in Print</h2>
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<span style="font-weight: bold;">MEMOIRS &amp; COLLABORATIONS</span><br /><a href="https://www.amazon.com/Leningrad-American-Writers-Soviet-Union/dp/1562790056">Leningrad</a><br /><a href="http://www.thegrandpiano.org/">The Grand Piano</a><br /><a href="https://www.saltpublishing.com/products/under-albany-9781844710515">Under Albany</a><br /><br /><span style="font-weight: bold;">CRITICISM</span><br /><a href="http://www.spdbooks.org/Producte/0937804207/the-new-sentence.aspx">The New Sentence</a><br /><br /><span style="font-weight: bold;">ANTHOLOGY</span><br /><a href="https://secure.touchnet.com/C22921_ustores/web/classic/product_detail.jsp?PRODUCTID=327&SINGLESTORE=true">In The American Tree</a><br /><br /><br /><br />
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<br /><img alt="" src="file%3A///Users/Lynn/Desktop/silliman2a.jpg" / /><img alt="" src="file%3A///Users/Lynn/Library/Caches/TemporaryItems/moz-screenshot.png" / /><span style="color: #990000; font-weight: bold;">RON SILLIMAN</span> has written and edited 40 books, and had his poetry and criticism translated into 16 languages. Silliman was a 2012 Kelly Writers House Fellow, the 2010 recipient of the Levinson Prize from the Poetry Foundation, a 2003 Literary Fellow of the National Endowment for the Arts, a 2002 Fellow of the Pennsylvania Arts Council, and a 1998 Pew Fellow in the Arts. Silliman has a plaque in the walk dedicated to poetry in his home town of Berkeley and a sculpture in the Transit Center of Bury, Lancaster, a part of the Irwell Sculpture Trail. He lives in Chester County, Pennsylvania and teaches at the University of Pennsylvania.<br /><br /><br /><br /><br /><br /><br />(c) 2002-2019 by Ron Silliman.
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